Steely Dan Do It Again

Steely Dan embodied and flaunted their contradictions: spotlessly produced and impeccably performed studio creations nearly unsympathetic losers and aging, horny sociopaths. They borrowed from the virtually soulful and emotional blackness music — twisting but non impenetrable jazz, organ-swole R&B, locked-in funk at least as deep and labyrinthine as the Meters — for an antiseptic, whitewashed, downright creepy waiting-room version that sold "composure" to rockers in the guise of toxic masculinity at its well-nigh polished.

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Donald Fagen and Walter Becker'southward vision enlisted the best playing money could buy and stamped it down into a bloodless veneer to disquieting (and hilarious) effect. Randy Newman's black-humored irony was deeply optimistic by comparison; you could ascertain his politics.

All we knew most Fagen and Becker is that they knew how gross, overpaid men could think. They kept their ethics of right and wrong to themselves, and it helped the bully applied joke their music performed: Witness 2000'southward excellently sickening reunion album Two Against Nature snatching the album of the year Grammy from Eminem despite songs narrated past a pedophile and a horny cousin.

This was all by design of course; did I mention they were named afterwards the dildo in Naked Lunch? Steely Dan's lightweight music flaunted a dark heart and vanquish Patrick Bateman to the synthesis by decades. They also knew how to boogie and wail, as the finest collective of un-ragged instrumentation ever corralled into one ongoing rock project. In tribute to the late Becker, who died yesterday at the age of 67, here are Steely Dan's best moments.

15. "Deacon Blues" (Aja, 1977)

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The soft jazz-filled hitting "Deacon Blues" may as well exist Steely Dan'south theme song, at to the lowest degree for the characters Fagen and Becker inhabited on record. "I'll play just what I experience / Drinkable scotch whiskey all night long / And die behind the bike" was these jazz fetishists' version of "Hope I die earlier I get old." Towards the end, Fagen spits, "Sue me if I play likewise long." No 1 did.

14. "Your Gold Teeth" (Inaugural to Ecstasy, 1973)

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This minimalist ballsy builds on the Latin rhythms of "Exercise It Again" for a driving, seven-minute groove that could've come from Curtis Mayfield and the Impressions, with an abstract alert against materialism that references all kinds of crazy things: Cathy Berberian, tobacco in Peking, and archetype roulades, all things that have been rarely mentioned in pop songs before or since. Steely Dan was quickly establishing themselves equally one-of-a-kind smartypants writers who could even so fire a rock venue to cinders with their guitar solos.

xiii. "Barrytown" (Pretzel Logic, 1974)

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Whoa, almost a straightforward jangle-popular song! Being the Dan of course, the cheerful demeanor of "Barrytown" (which sounds similar a companion piece to "Werewolves of London" or something in its chiming piano parts) turns out to exist a osculation-off to the born-once again evangelists of Barrytown, whom Fagen and Becker oft encountered in schoolhouse at Bard. "Get out me or I'll be just like the others you will come across/ They won't act as kindly if they see yous on the street," Fagen sings to some poor Jehovah's Witness sap who's probably had 45 doors slammed in his face that 24-hour interval alone. Yet this time they actually tap into a special kind of justifiable angst; who wouldn't honey to tell those solicitors off?

12. "Fire in the Hole" (Tin can't Purchase a Thrill, 1972)

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Fagen's incredible piano virtuosity and nerve-wracking chord changes on this rare Dan carol solitary get in one of the grouping'southward best, tensest offerings. Only listen to that intro, the flat-footed stomp of the drums behind ivories then tickled they're laughing their ribs off. So there's the thumping, discordant bass, the sour-into-sweet every bit the verse becomes chorus, and Fagen reminding himself he's just another freak. Elton John should be and so blistering.

11. "Evidence Biz Kids" (Inaugural to Ecstasy, 1973)

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A relentless, Fogerty-style creaky slide-blues vamp that never changes beat or keys (huge rarity for these boys), "Prove Biz Kids" is ane of the most incendiary meta songs in all of stone. It adds a rare course-consciousness to Fagen's usual cynicism ("While the poor people sleeping / All the stars come out at nighttime") and isn't likewise proud to indulge in the maschismo itself ("They got the shapely bods / They got the Steely Dan T-shirt"). Then at that place'due south the climactic "They don't requite a fuck most anybody else" that psychedelic Britpoppers Super Furry Animals sampled to immaculate effect on their early single "The Man Don't Give a Fuck." (Steely Dan is secretly 1 of rock's all-time all-time sample sources, also encompassing Kanye W'south "Kid Charlemagne" flip on "Champion" and De La Soul's earnest use of "Peg" to pretty up "Center Know.")

10. "Hey Xix" (Gaucho, 1980)

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Gaucho was a glossier, more than high-definition blow-upwardly of the Dan's widescreen subversions (and perversions) all-time displayed on their last pinnacle ten striking on the Hot 100, "Hey Nineteen," which may too have been titled "Yes, Delight Stand Close to Me." Donald Fagen sings to the titular-historic period lust interest over ane of the tightest grooves of his career, explaining who "Retha" Franklin is and plying her with Cuervo Gold. He was just 32 at the time; in xx years he'd be one-upping himself past writing about "Janie Runaway," an underage daughter whom he tries to score a three-fashion out of.

9. "Any Major Dude Will Tell You" (Pretzel Logic, 1974)

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Pretzel Logic is Steely Dan's almost soulful anthology and least cynical-seeming, and "Whatsoever Major Dude Volition Tell You lot" exemplifies both. The 1974 career highlight brims with a warmth unheard on the ice-sculpture jazz of afterward offerings or their more than cryptically angry early on tunes, and the jagged optimism of the lyrics even matches: "Any minor world that breaks apart falls together again," sings Fagen, over a ballet of tricky chords that never quite land right side up but always sound perfect, in their sideways splendor.

8. "Time Out of Mind" (Gaucho, 1980)

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Like "Hey Xix" and "Peg" before it, this increasingly jazzy outfit turned out a deceptively upbeat tune with 1980'southward "Time Out of Mind" with a sexy, smiling chorus near "chasing the dragon" despite (or because of?) the addictions violent Walter Becker apart from creative success and his friendship with Donald Fagen as the group'due south dissolution approached. So again, Becker'southward lyrics were as scabrous and sarcastic as Warren Zevon's, which is the correct kind of tonic for a band who painstakingly assembled the drum track for Gaucho'south championship tune out of 46 carve up takes. Perfectionist addicts have to entertain themselves, besides.

7. "Janie Runaway" (Ii Against Nature, 2000)

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Ii Against Nature is Steely Dan's most immoral anthology by some altitude, and they give their sleaze an accordingly huge dollop of funk. All the E-Z listening vibes, perfectly placed horn fills, biting scratch-chords and bass-slaps proved the perfect disguise for a Grammys-conquering Trojan horse whose centerpiece finds a pedophile offer his charge a "birthday in Spain" if she'southward "not agape to try new things" with him and her friend Melanie. The audacity of the song is hardly the whole story, as the graphic symbol sketch itself is pitch-perfect in its soulless cognition of what lurks in the hearts of men not far from their own age. Evil genius at its nigh evil, and genius.

6. "Bodhisattva" (Countdown to Ecstasy, 1973)

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Kicking off the commercial nonstarter Inaugural to Ecstasy, which may be Steely Dan'south near impressive album song for song, "Bodhisattva" swings and thunders for five minutes over a rockabilly cyclone injected with guitars exploding bebop. The guitars are far more clean-scrubbed than say, those of Dickey Betts, but they come closer to boogieing into the swamp anything else Fagen and Becker ever did.

5. "Do It Again" (Tin't Buy a Thrill, 1972)

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Steely Dan's breakthrough single (and second-highest-charting Hot 100 hit, peaking at No. six) was in no fashion feature of the band they'd become, except insofar as A) they're chameleonic and B) information technology was early excellence. Much has been made of the fact information technology'south a mambo, simply most mambo-stone fusion songs don't typically accept an electric sitar solo followed by an organ i. Then there's the reverse helplessness of the lyric, in which Donald Fagen's protagonist shoots someone dead but gets rescued from the gallows considering "the hangman isn't hanging" that item day — and this somehow makes him more miserable.

4.  "Cousin Dupree" (Two Confronting Nature, 2000)

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No affair how smooth and nostalgic Steely Dan's amazing comeback Two Against Nature may have looked on the surface, it was one of their almost insidious albums ever, particularly with this easy-rolling boogie as its first single, where the narrator creepily croons to his ain cousin well-nigh how she'southward "grown," and promises to teach her everything he knows. Steely Dan is nothing if non a slap-up joke on the extravaganza of their audience, balding-ponytailed midlife-crisis guys cruising for younger tail, and hither the aural carbohydrate helps some of their ugliest (and about gut-busting) lyrics get downwardly. The cousin in question rebuffs Dupree about the "dreary architecture" of his soul, and he withal doesn't get it: "Merely what exactly turns you off?"

3. "Peg" (Aja, 1977)

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This is supposed to be it, right? The moment a bunch of sleazy within-joke studio virtuosos put the wisecracking aside for an upbeat, resolutely straightforward pop tune paying tribute to a glamorous girl — and actually makes an evenhanded pass at infatuation if not love. "Peg" achieved that narrative commercially, condign one of Steely Dan's absolute biggest hits and keynoting Aja, their most successful album. But it was just a subtler version of the same darkness that laced all of Steely Dan's material; the high-spirited Lyricon (sort of a synthesized woodwind) riff and famous, De La Soul-sampled "I know I'll dear you lot better" hook are ultimately serving an unreliable narrator'southward tribute to an actress he may or may non be coercing into a pornographic venture. Listen for the telling, quieted voice intoning "I don't want to do this" around the iii:sixteen marking. And you thought Eminem was a sicko.

two. "Rikki Don't Lose That Number" (Pretzel Logic, 1974)

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Here's where Fagen plays it cool and all the same ostensibly makes a jerk of himself: Rikki was a professor's wife he gave his number to, awaiting her having "a change of middle," over an amazing number of chord changes for a No. 4 Hot 100 hit. "Send it off in a letter to yourself," he urges, ridiculously. This kind of subject was played simply polish enough, and in one of the ring's most tuneful works ever, to give them their highest-charting melody ever. There'southward a skilful run a risk Rikki dodged a bullet, though.

ane. "Reelin' in the Years" (from 1972's Tin can't Buy a Thrill)

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The most straightforward rock'n'curl song Steely Dan ever fabricated is one of their most recognizable hits, a relentlessly happy-sounding shuffle with a tango of doubled guitar solos that could've come from Sparse Lizzy. It was and so bouncy that Donny and Marie covered it on their variety bear witness in 1978 with a backdrop of ice skaters, despite the fact it's one of the most fell breakdown songs in the genre'due south history: "Yous wouldn't even know a diamond if you held it in your hand," "You've been telling me you're a genius since you lot were 17/ In all the fourth dimension I've known you, I withal don't know what yous mean," "The things that pass for knowledge I tin can't understand." Only those guitar solos, human. Jimmy Folio once told an interviewer they were his all-time favorites.

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Source: https://www.billboard.com/music/rock/steely-dan-songs-best-hits-list-7950059/

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